A nova EF 11-24mm f/4L USM perde metade da luz. A nova EF 16-35mm f/4L IS USM, com estabilizador, também perde metade da luz. E só a prime EF 14mm f/2.8L II USM, com performance superior, entrega a mesma abertura; mas custa US$2099. Resultado por resultado, fiquem com a EF 17-40mm f/4L USM de US$799 que é muito mais negócio. Ela chegou no
The 14mm II has far less distortion than the 16-35mm L and 16-35mm L II. Either Canon 14mm f/2.8 is good enough to shoot right out of the box, without needing Photoshop or DxO to fix unintentionally distorted lines. Canon 14 2.8 L II at the beach on full-frame. Wall of shame, as shot at f/11 on full-frame.
Just for fun, let's compare the $300 APS-C Canon 10-18mm to Canon's flagship $1,700 full-frame EF 16-35mm f/2.8 L II. To make it even more interesting, let's shoot the 16-35mm f/2.8 L II on Canon's state-of-the-art 5D Mark III (the world's best DSLR), and shoot the 10-18mm on a seven-year-old Rebel XTi. Since the Rebel is only 10 Megapixels, I
캐논의 L렌즈 중에 가장 사용해보고 싶었던 광각 줌렌즈가 바로 'EF 16-35 F2.8 L II USM' 였습니다. 주로 풍경이나 자연을. 사진으로 담다보니, 자연스레 시원한 개방감을 담을 수 있는 광각렌즈에 관심을 가질 수 밖에 없었는데요. 16-35mm라는. 화각이 가져다주는
monture d'objectif. Canon EF. etanche aux intempéries (résistant aux éclaboussures) Canon EF 16-35mm f/2.8L II USM. L'appareil est protégé par des joints supplémentaires afin de prévenir les défaillances dues à la poussière, les gouttes de pluie et les éclaboussures. Dispose d'une monture de métal.
The EF 16-35mm f/2.8L II USM is set to become the ultra wide-angle zoom of choice for professionals. With vastly improved peripheral sharpness, it replaces the popular EF 16-35mm f/2.8L USM as Canon’s leading wide-angle zoom. A constant f/2.8 aperture ensures exceptional low light performance and depth-of-field control throughout the zoom
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canon ef 16 35mm f 2.8 l ii usm
